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KGF Chapter 2 box office collection: Yash’s film zooms past Rs 400 crore in Hindi belt; second film to achieve the feat


Director Prashanth Neel’s KGF: Chapter 2 is on a record-breaking spree. First, it crossed the Rs 1000 crore mark internationally, then it grew to become the third-highest earner within the Hindi belt, and now the Hindi model has develop into the second movie to cross the Rs 400 crore mark, solely behind Baahubali 2: The Conclusion. The SS Rajamouli movie had earned Rs 511 crore.

Film commerce analyst Manobala Vijayabalan shared on Twitter, “#KGFChapter2 ZOOMS past ₹400 cr in Hindi. First ever Sandalwood movie to enter this ELITE club.” He additionally shared that within the worldwide market, the movie has collected a income of Rs 1095.83 crore. He wrote, “#KGFChapter2 WW Box Office Inches CLOSER to ₹1100 cr milestone. Week 1 – ₹ 720.31 cr Week 2 – ₹ 223.51 cr Week 3 – ₹ 140.55 cr Week 4 Day 1 – ₹ 11.46 cr Total – ₹ 1095.83 cr STRONG HOLD.”

KGF 2 is the fourth highest-grossing Indian movie ever internationally, after Dangal (Rs 2024 crore), Baahubali 2 (Rs 1810 crore), and RRR (Rs 1127 crore). It is predicted to surpass RRR’s worldwide whole quickly.

On Friday, movie commerce analyst Taran Adarsh had listed all of the benchmarks which have been achieved by KGF 2 till now. He tweeted, “#KGF2 benchmarks…Crossed ₹ 50 cr: Day 1 ₹ 100 cr: Day 2 ₹ 125 cr: Day 3 ₹ 150 cr *and* ₹ 175 cr: Day 4 ₹ 200 cr: Day 5 ₹ 225 cr: Day 6 ₹ 250 cr: Day 7 ₹ 275 cr: Day 9 ₹ 300 cr: Day 11 ₹ 325 cr: Day 12 ₹ 350 cr: Day 16 ₹ 375 cr: Day 20 #India biz. #Hindi version.”

A sequel to 2018’s KGF, KGF 2 follows the story of Yash’s Rocky, who guidelines the gold-mining empire at Kolar Gold Fields. The film additionally stars Sanjay Dutt and Raveena Tandon in pivotal roles. It has obtained a combined evaluations from movie critics. The Indian Express’ Shubhra Gupta had given the movie a 1.5-star score. She wrote in her assessment, “The trouble with films busy working on their look is that they forget about plotting. KGF 2 swings haphazardly between the past and the present.”





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